oh really?

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I am not too sure what was going on here or exactly when this was taken. As you can see I was not holding the camera – I think Graham had picked it up and snapped a few shots while we were at Adam and Jessica’s housewarming. What do you think we were being told when we had this look on our faces?

thank you internet!

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The internet is many things, and this very website is one of those things. The other things are somewhere else and I’ve been holding back a few links to those things for some time now – I’ve been waiting for an appropriate post to link from, however I have decided I am not interested in writing about all the stuff I want to link to – some of it yes, but not all of it. Plus I just don’t have time to write about everything I am interested in. Since I am on an internet-related post, I think it’s appropriate to link to some completely random stuff in no particular order:

  • Fred and Sharon’s Movies – Who needs a movie? You might. I have been sitting on this one for a while. This comes by way of Ken – who is so busy making websites for other people that he doesn’t have his own at the moment. Yes, this is real.
  • Silverio – yepa yepa yepa. Dance sensation. Apparently some people have not seen this yet. Occasionally worth referencing. Definitely worth knowing.
  • Two new mixes by djfractal – The second mix is what I want to point you at: Vainglorious, is all massive progressive house and other and, as the title suggests, glorious and certainly a bit vain, especially considering I am linking you to it because of the tracklisting. The only thing puzzling me here is the absence of any Royal Assassin work since that would up the vain-listing a bit – Royal Assassin is our alias for making epic music of deceit, wonder and such and such.
  • phonemyphone.com – This is a web service that will call your cell phone in case you lost it. This is most remarkable because of how completely exploitable it is. It looks completely and utterly abusable, but also looks like a useful service for the time that it will remain up. Quick, lose your phone so you can take legitimate advantage of this. Thanks to the superb lifehacker for the link.
  • PlaysForSure – oh dear. The essay is titled “the day the music died,” but don’t let this dissuade you from reading it. If you know anyone who uses the Microsoft Zune or MSN Music or any of the “playsforsure” services, this is a must read. Don’t wait til September to see baffled folks on the dinner time news complaining about this. It is happening and there is a date set by Microsoft already. Thanks to Darren for the link to the essay.

That’s all I can think of right now. Looks like I had a few things to say about each one. There are a few other things I love right now but I’ll leave them in 4chan for the time being.

an interview with matt what

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Recently I had the opportunity to do a question and answer session with Matt Thibeault, aka Matt What, who is a mainstay of the Victoria DJ scene, and is also currently serving as the Coordinator and Technical Judge for the Hush DJ Competition. Lately he’s been taking things up a notch with his community oriented efforts and also adding some unique elements to his live performance, so naturally I wanted to find out a bit more about what he’s up to and his general outlook on music, competition, and what inspires his efforts:

Tell us a little bit about yourself – how long have you been DJing for and what is your general musical background?
Hi there. I’ve been DJing professionally for just under seven years. I say professionally as I perform quite regularly and am well paid for it, but it’s still a hobby in the sense that school and my day job take up more of my time.

My general musical background is pretty varied. The saxophone was my first instrument, but I never touch the bloody things anymore. I can bull[bleep] my way through piano and I’m a half decent bass player. I play guitar a lot. A lot. It’s my favourite for sure. I played in a few rock bands in high school and college, but when I started going to raves that all slipped away. Lately I’ve been wanting to get back into it and I think I’ve found a few people to start something up with. We’ll see.

What got you into DJing? Who has been your inspiration, and where do you draw influence from as a performer?
When I first started going to raves (this is in Vancouver in the late 90s) I had a really cool girlfriend who had a really cool little brother who had a pair of 1200s. I’d goof around on those and I picked it up pretty quick. I never really had any intention of playing out, but I ended up working at a shop with Kenzie Clarke and she introduced me to that side of it; namely, the boys from The Nomad Collective and Dizzy Productions. I’m pretty happy she did.

I don’t know if I could really pin point what I draw influence from on stage. I don’t really think much when I’m up there. I know that sounds weird, as I’m a very animated guy up there, but it’s true. I get stressed out and scared as all hell before I’m on stage (to the point of throwing up sometimes), but as soon as I put a record down my brain shuts down and I just go off.

Who are your favorite producers, and what do you like most about them?
I don’t really follow many producers. I follow a lot of bands and recording artists, but on the underground techno/house/breaks/whatever side of things there’s no one I really follow religiously. I find way too much emphasis is put on production techniques over song writing on that side of the musical world and haven’t found many guys that I really dig all the time. My record crates are a hodgepodge of so many different producers, few of which repeated more than once or twice.
You are heavily involved with the DJ competition at Hush Nightclub. Tell us about the DJ competition – where it’s been, and what is going on right now, and what the vision for the future of the competition is.
I love the Hush DJ Challenge. I’ve been talking about it at length for a few months now, so please forgive me if I’m of few words on the subject. All sorts of information can be found at the Hush website (HushNightClub.ca) as well as in Monday Mag and RaveVictoria.com. As to where it’s been… well for me, I’ve finished in just about every position you can over the years; finalist, semi finalist, and I’ve been taken out in my first round too. Now i’m running it, so I have a somewhat unique perspective. What I always loved about those first three years was how it rewarded the all around DJ. To win, you had to be a crowd pleaser, a turntablist, and a progressive mixer all at the same time. One thing I wanted to improve upon from that spirit was to really detail it out, on paper. There is a ridged marking scheme this year. I feel that taking some of the subjectivity out of the marking has really given it a lot more credibility. The future of the comp? Bright and long.
Who has been impressing you so far?
I think it would be inappropriate to discuss that while we’re still in the middle of it.
How do you see the DJ competition fitting into the scene, and what would you say the importance of it is?
Exposing new kids for sure. We live in a town where everyone and their dog DJs. It’s hard to get noticed in that kind of ocean of talent.
Returning to you as a performer, recently you did a combined performance with Fractal aka Thor Kell – how did that go and can you explain exactly what you guys did? How was it different than a regular gig for you?
Let me say this: I love Thor so much. That kid rules and that show was insane. Four 1200s, three CDJ 1000s, two mixers, and an electric guitar. When one of us was mixing, the other was dropping samples or scratching or rocking out big solos on the guitar. Total chaos. Favourite show I’ve ever played. We’re hoping to do it again in the near future. DJing with another person at the same time really adds a lot of energy to the performance. No better way to play.
Where can people see you DJ?
People can see me play at Hush, usually twice a month (Saturdays mostly, but sometimes Fridays). I play the occasional rave too. I’d like to play more.
Do you have any new mixes coming out soon that you’d like people to keep an eye out for?
Well, Thor and I recorded our set from Hush the other night. Not sure if I’ll do a full release of that, but we’ll see. I try to put out a solo mix once a year and I’m a bit past due on that right now. I put it off a lot as I hate recording. As soon as I figure out a name I’ll start laying it out. Have I mentioned that I hate recording?
Are there any sites that you’d like people to check out?

Thanks to Matt What for his time and also for sharing his thoughts!

ferries and television

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Darren Barefoot mentioned he has broken his television habit. I have to admit, we don’t even own a television, and I have never owned one myself. Also I have never owned a car. Am I a complete minority, or is television as boring and uninteractive as I think it is? And are cars as bad for the earth as they appear to be? Anyway, I think it’s unfair for me to also claim that I have broken a habit that I don’t have. It would be like saying I quit smoking after trying it once.
All that being said, there are a few shows I actually like, but I don’t think I’d ever want cable. Such a broad selection of programming seems really odd to me – like subscribing to a music service and getting tons of music you don’t like, maybe 95% of it you think is garbage. And ads. Would it be cheaper because of the ads? Right, that’s called radio.
Despite how my tone might have sounded in that last paragraph, I think there is a lot of value in authoritative broadcasting – that is, to say, that someone with some semblance in taste or quality is in control of what gets aired. The only problems are that this is such a subjective notion to begin with, and that there are other objectives at play – such as pleasing the broadest demographic to capture those large advertising contracts, yadda yadda – I could go on. There are still gems on television and in radio.
The other reason to get a television is obviously gaming. I don’t have a lot of time for that.
What I really want to say is that I was considering cable for similar notions to Darren – specifically, hockey. Well, it was pretty clear this year that the Canucks didn’t warrant their own television in my living room and $32.95 a month for the service to watch (some) of their games. At this point, on-demand hockey is only partially available online. If they’re doing good, I’ll see you at the pub.
Another item of interest from Darren’s post was television on the spirit class BC Ferries. The first time I saw these TV’s I was thinking that it is completely ridiculous to have televisions on the ferries when there is so much to look at all around you – the scenery is amazing. I understand some people have children they want sedate or make hyperactive, so the televisions are there. Usually they’re tuned to a random channel – celebrity news or other garbage media. One time – in the “quiet” area – it was tuned to some subtitled news item on CBC about the sexual relationship between teachers and students.
I should mention that the “quiet” area is right beside the “noisy” area which the family stuff is. It’s actually somewhat quiet there believe it or not. Maybe even quiet enough to hear things rattle in the ceiling. Not a bad problem to have.
The idea that they have something called the Seawest Lounge where you can essentially purchase “quiet” is pretty telling of the way BC ferries is run. Does installing televisions and toys in the family area drive up demand for quiet, adult areas? I’d imagine so. They say you can look at newspapers and have unlimited coffee and muffins in the Lounge, but it’s ridiculous. As Darren pointed out, there is no WIFI in there. Headphones win over the Lounge every time.
What else do you find a bit odd about the ferry?

sasha + john digweed at plush

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On Wednesday night we went over to meet up with Craig and Erica for dinner in Vancouver. We went to a stylish place in downtown Vancouver called Chambar – it’s a Belgian Restaurant. Anand and his friend happened to also be hanging out there by complete fluke so we exchanged some wit (?) and ate a fine dinner. It was very good and even though the service was weak at best, I’d recommend it for the food and atmosphere. And by way of some good fortune and hard work, we were all going to go see Sasha, John Digweed and Kazell. So off to Plush we went..
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This is Kazell pictured above. He played a really good opening set – stoked the fires well and was a pleasure to talk to after his set. Nice to put a face to a name of course – and he gave me a CD that I’m looking forward to listening to.
For the most part the lighting was too poor to take photos without a flash, so I did a few with the flash but I didn’t like them – it washed out the atmosphere of the club and the visuals which had been imported from Québec. I saw a lot of people I knew there – but I didn’t manage to get very many people shots. Nonetheless I am happy with the ones below.
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At 11 PM, John Digweed came on to take over the decks. He moved things up several notches before Sasha came along to join in. This part was somewhat disappointing as Sasha seemed to be intent on playing the same song over and over again. It seemed like he had found a white noise patch, a filter, a sidechain compressor and some tribal loops, and that was going to be his performance for the night. I was not particularly impressed with what Sasha played, but John Digweed more than made up for it. I enjoyed the show but I do feel like Sasha is capable of much more than what we saw last night. In any case it was enjoyable to see a well-attended show in a big club with a big sound system and music that was made to suit.
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We left Vancouver this morning – so it was a quick trip and a rather unusual one since it was in the middle of the week. There’s something a bit surreal about being on the PCL in the middle of the day, watching everyone else do their daily thing as you relax inside the tinted windows of the coach, slightly sleep deprived but utterly satisfied from the whole experience that left you this way. Even though there were disappointments at the restaurant and club we went to, it was not such a big deal. To me, the important part was to be with some friends that shared a common interest – we were all where we wanted to be last night. It was great.

AFK – Pacific Front Sessions: March 2008

Pacific Front Sessions: March 2008 starts off on a tip that has been absent for a while from my mixes.. tribal atmospheric. This first track called “Train of Thought” takes me back several years to a bar called Neptune where I used to have a residency with Brian (Seed from Ritual Sounds), Yoseff and Nigel Haze. Very moody and reminds me a lot of those good times down at the blue bar. The track is brand new on Morphosis though, and is one half of a great release. Next is a Kasey Taylor remix of a really chuggin’ tune by Avilo, “Easy 15.” It’s a bit of an usual track, which is what I like about it. The build from there is into Jay Lumen’s “Ultra,” an atmospheric progressive house track that reminds me a bit of Miami and specifically WMC. I never heard it while I was there but I could definitely see this going off in the middle of the day on any one of the dozens of huge sound systems there. Following this is a really cool track by Joel Armstrong called “Hey Hey Hey,” and the remix is by Bastards of Funk and Sonic Union. Some really cool drum fills and a fun bassline move the mix forward away from the ethereal and into some higher energy material. This provides the bridge into the third track I did with Dustin H, “Seismic,” which Shiloh does the remix on. Great bass line and synth maneuvers by Shiloh here, providing a very original and different take on the tune. This track was just released this past Monday so grab it on Beatport – also be sure to check out the other mixes because they are pretty diverse and I think there’s something for everyone there. Next up is a DJ Remy remix of David Forbes and Michael Patterson – the track is called “Teknika.” This is the kind of track I drop in the middle of a peak time set and people go mental to. Which means you may or may not like it here, but in case you don’t like it, I recommend turning the volume up. Should solve the problem. Following this is an epic piece by David West called “Suffering Island.” I have wanted to put this in a mix for a long time now but haven’t found the right spot until recently – now, in fact. David West is one of my favorite producers for his grasp on melody, progression and percussion – not to mention, his bass lines are super solid and always carry the tune in a way that I really enjoy. The transition into dramatic breaks is done here by filtering out the bottom of the bass drum from Suffering Island while the ambient intro to His Boy Elroy’s “Step Into the Light” fades in over top. We have a remix by The Emissary and Starfire here which I find very reminiscent of Hybrid – in a good way. This sets up the final blow – a tough and gritty track by Kultur called “Street Knowledge,” and none other than Stefan Anion is on remix duties. He makes complete mayhem out of this track and it is perfect for finishing off a mix with many twists and turns.

Tracklisting:

  1. Absance – Train of Thought (Original mix) [Morphosis Records]
  2. Avilo – Easy 15 (Kasey Taylor Instrumental remix) [Vapour Recordings]
  3. Jay Lumen – Ultra (Original mix) [Baroque Records]
  4. Joel Armstrong – Hey Hey Hey (Bastards of Funk and Sonic Union remix) [Dot Dot Recordings]
  5. AFK and Dustin H – Seismic (Shiloh remix) [Pacific Front Recordings]
  6. David Forbes and Michael Patterson – Teknika (DJ Remy remix) [68 Recordings]
  7. David West – Suffering Island (Original mix) [Solaris]
  8. His Boy Elroy – Step Into The Light (The Emissary and Starfire remix) [Proton Music]
  9. Kultur – Street Knowledge (Stefan Anion’s Bookworm remix) [Usaplay Ltd]
Download: AFK – Pacific Front Sessions: March 2008 (mp3)

Right click and Save As, or option-click the link on a Mac to automatically download

departure

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Over the last while I’ve contemplated what music means to me. I put a lot of time and effort into electronic music, but finally – after much thought – I have to concede that I do not know who my target audience is in marketing terms. I make music that I like: very self indulgent sounds that please my ideals of composition structure, dynamics, energy, percussion, melody, instrumentation and so forth. That is fine – I should make what I want to make. However, I am not always certain where this music should finally go, or who I should be talking to. It has been made abundantly clear that the kind of music that gets play in clubs is more or less music I have no interest in making. I had coffee with Thor / Fractal last night while taking a break from the mix of the track I am making with Formulate and Dustin H. Myself and Thor talked a fair bit about the gap between what we make and the certainty of what seems to be popular for the “dance” clubs.
I don’t make “dance music”. I generally make music that you can dance to, but “dance music” I would say it is not. It’s not “dance club” music at all. Seismic might be the exception. Speaking of Seismic, how about this? I am not particularly sold on the Flash MP3 player or the style of it but it’s more the function of the below that I am looking for feedback on. I’d like to house all previews of my music here in this sort of style:

AFK & Dustin H – Seismic (Original mix)
AFK & Dustin H – Seismic (Shiloh remix)
AFK & Dustin H – Seismic (Powerplant remix)
AFK & Dustin H – Seismic (Stefan Anion’s Running For Cover remix)

So what does this have to do with departure? Not sure exactly. I haven’t yet departed the electronic music scene obviously but I am feeling fairly disconnected from it right now. Maybe that’s because I have not been doing many shows at all lately. It is inspiring to see music connect with people on a dance level – even though, as I say, I don’t make “dance music.” I am mainly differentiating what I make from the more mainstream stuff that you might even hear on your local commercial radio station. I’m not even saying there’s anything wrong with that kind of music – I absolutely do not think there is anything wrong with it on a general level. It’s more of an accessibility issue.
Last night the topic of artist albums came up as well. I have been giving some thought to making an artist album lately and putting that in stores. This would require many things, not the least of which is time. Also, as I type this, there are signs in the front of A&B Sound in downtown Victoria saying they’ve shut down and opened another store in Langford. What’s left in downtown for music? Ditch and Lyles Place, I think. So I’m aware that there’s not much milk in that particular cow. I think what it is .. is that I want to connect with whomever it is that I am making this music for. Being able to share over the internet is great, but it is faceless and immemorable – is that even a word? Maybe amemorable – I am pretty certain that’s not a word.
The photo above is of Charles leaving the Commercial Drive skytrain station a few weeks ago. Time for me to get some fresh air!