experiment_dylan

magnetic minds

The blueprint for how TEDxVictoria currently exists came from these three – Dylan, John and Carol-Lynne. I am fortunate to have worked with them quite a bit on TEDxVictoria in the past.

You should check out the three of them, they’re actually very active in their own ways:

  • Dylan is the chief organizer of TEDxVictoria and just went to TEDActive – check out his blog as linked – he has written extensively about it and a lot of other stuff too. He has lent me two dystopian future scifi novels that I am reading right now.
  • Carol-Lynne has a lot of stuff going on.  I think the only way to keep up with it all is her 11k+ tweets. She hasn’t lent me any books.
  • John has tremendous business and technology  sense and has started up something called Coinforest. He’s lent me a book called “What Technology Wants” and I haven’t started it yet, because Dylan lent me two books that I haven’t finished yet.

experiment_john
John

experiment_carollynne
Carol-Lynne

experiment_spiderweb

spiderwebbing

experiment_spiderweb2

So far, I’ve mostly been posting parts of the experiment that don’t involve people. I don’t know why that is the case, but it’s what I’ve been gravitating to in my selection so far. Maybe it’s because I am so used to people photos by way of social networks, and this feels different – closer to why I do photography.

But it’d be a mistake to say I don’t love taking photos of people – I do. I think I may just save those photos a little while longer.

This is a couple different angles of some spider webbing I found at Gowlland Tod.

experiment_seaside_flightpath

seaside flightpath

Near Iona Jetty.

Part of the experiment was to do things I wouldn’t normally suggest doing, such as shooting directly into the light .. but I thought why not do that? A card from Oblique Strategies set (a deck of cards meant to spur creativity) says something to the effect of “find the flaw and amplify it.” So I exposed off of the sun glare on the water to capture the isolation of this old thing in the ocean off the coast of the YVR airport.

gowlland_tod_provincial_park

The Experiment

It occurred to me that my iPhone (4, upgraded to 5S last year) was getting better at photos, filtering them, making them pop, and sharing them nearly instantaneously. So far as photos that are meant to capture “now” and be relevant to the moment, my dSLR was – and continues to get – further and further away from being capable of competing with the iPhone.

So, more than a year ago, I decided to do something a little different with my digital SLR. I would continue to use my iPhone out of convenience, but I’d also bring my dSLR along to events, days and evenings that I want to remember in a context outside of likes and retweets.

My experiment, then, was to juxtapose the devices as much as I could. To do that, I:

  1. Did not empty the memory card for a whole year (I could delete photos, but the number I could keep at the end of the year had to fit on the memory card);
  2. shot in RAW the whole time so that I could really get the most out of editing on the computer and post processing if I wanted;
  3. shot in black and white the entire year to concentrate on developing a style that centred around lighting, contrast, shape and texture more, rather than colours;
  4. shot with a 50mm lens the whole time – this forced me to spend more time composing and moving around the space I was in to get the shot I wanted.

So what did I get out of this?

  • 516 photos, some of which will be put up on my walls in my home
  • a style emerged from the creative constraint, which you’ll see in posts on here tagged “experiment”
  • a great deal of enjoyment while figuring out my style
  • a sense of what not to take photos of – because now i know what wont make the cut
  • the ability to turn the weakness of a device (lower level of connectivity) into a strength
  • something else, which will remain secret
  • I love photography again

diversity is my university